No Bears

Jafar Panahi

MO*award

release date Wed 1 Feb 23

drama

De Iraanse regisseur Jafar Panahi mag twintig jaar lang geen films maken. Na een celstraf en hongerstaking slaagde hij er toch in om deze 'No Bears' te realiseren. Een unieke prestatie!

We use services such as Youtube and Vimeo for videos and other media. To view this, you have to give permission to place cookies. More information…

Cookies are required for the website to function properly. This way the content of your shopping cart will be remembered and you can log in on the website with your account.

Cookies are also needed to enrich your experience on the website. For example, media from third parties such as videos. We also keep statistics to continuously improve the site.

Finally, cookies are used to process further information about our marketing activities, such as newsletters and advertisements, in the most efficient and personal way.

Cookie settings

All cookies. With these cookies we collect further information to carry out our marketing activities, such as newsletters and advertisements, in the most efficient and personal way.
Limited cookies. This option allows cookies to enrich your experience on the website. For example, media from third parties such as videos. We also keep statistics to continuously improve the site.
Functional cookies. These are necessary for the website to function properly. This way your shopping cart will be remembered and you can log in on the website with your account.

Een drukke straat in Turkije vol luidruchtige straatverkopers. Zara komt een café uit om Bakhtiyar te ontmoeten die een vals Frans paspoort voor haar heeft geregeld. Dan gebeurt er iets verrassends: er wordt "cut" geroepen. De cameraman praat met regisseur Pahani die vanaf een afgelegen locatie toekijkt. Hij is zelf verwikkeld geraakt in een buitenechtelijke liefdeskwestie.

direction: Jafar Panahi
cast: Jafar Panahi, Mina Kavani, Naser Hashemi
duration: 106 min
release date: Wed 1 Feb 23
year: 2022
country: Iran
language: Perzisch

No Bears has many shades and moods, from delightful rural comedy to the most serious kind of social concern. And it has the kind of open ending, somehow very stirring, that qualifies as another hallmark of classical Iranian cinema. Robert Horton

The Scarecrow